There are nowadays professors of philosophy, but not philosophers

So said Thoreau.

His point, of course, was that we have people who can tell us what philosophers once said, but no one today who can tell us how we should live. And yet how many professors of philosophy make the extension to themselves, self-styling as philosophers, when in truth they so often muddle what true philosophers once said clearly.

Maybe there exists in some university department someone whom Thoreau would have called a real philosopher. One hopes so, but doubts so. For when compared to the stakes of tenure and publishing, talking about how to live and the meaning of life seems so—quaint.

 

The Shallows by Nicholas Carr: A Summary

Note: This is a book review of Nicholas Carr’s The Shallows that I originally published in September of 2011 on this blog. Republishing after being asked by someone for the link. 

A Review/Summary of The Shallows by Nicholas CarrI’ve just finished reading The Shallows, a book by Nicholas Carr. It’s a reasonably technical book that goes in-depth into the workings of our brains to look at how the Internet is affecting the way we “think, read, and remember”.

Carr starts off by explaining how he’s been having trouble focussing recently. He says that he sits down to read a book but finds himself unable to read a page without looking up from the book, and he finds his mind wandering off on tangents quite often. He also says that he has trouble focussing on other tasks, and can’t remember things as well as he used to be able to. I have the same problems, and Carr even says that he reckons most people who use the Internet these days will be suffering the same things.

From there, he goes on to describe in detail why it is that we’re finding ourselves so distracted nowadays. In essence, his thesis is that new media will change the way that our brain works, and there are many side-effects to this. A side effect of the Internet is that we find it harder to focus.

When things like the typewriter was invented, Carr uses the description of how Nietzsche found his writing style change when he used a typewriter. He started using smaller, more choppy sentences, and this was as a direct result of simply changing the medium he used to write.

When the wristwatch was invented, people found themselves more efficient but also a lot more tired as they were now acting by bodily rhythms that other people had set for them, instead of by their natural body clock.

All these technological changes, Carr argues, have side-effects that mostly affect our deep-brain thinking. Here’s a few examples.

Carr comes to the conclusion that there are generally two types of knowledge: deep domain expertise, and knowing where to find relevant information. While the Internet gives us access to all relevant information, it reduces our deep domain expertise as we no longer need to store as much information in our brains.

The Windows operating system was the birth of true multitasking. Before this, people did one thing at a time on computers. They would word process, or they would email. There was no capacity to do both at the same time. Therefore there were no distractions to what people were working on. But with Windows, people suddenly had distractions, as different applications would run at the same time. People thought this would lead to an increase in productivity, but in many ways productivity has decreased because people are now no longer as focussed on what they are working on.

The part of The Shallows that got me thinking most was the very last chapter. Carr describes how new technologies make us lose part of ourselves. Clocks made us lose our natural rhythm. Maps made us lose our spacial recognition capacities. He gives many more examples. But the Internet, unlike most of these other technologies, is perhaps making us lose our touch with the real world. Our brains jump around constantly as if we are browsing websites. We are constantly pressured to be looking at our phones and computers and replying to messages. The end result is that we live more and more inside the Internet, and when we need to leave it, we can’t work as well as we previously could.

It’s not like we can change the course of technology and reverse these negative effects. But it’s worth thinking about how to mitigate them, and to that end, Carr’s The Shallows is an excellent place to start.

Friedrich Schiller on How Art and the Humanities Respond to the Necessities of Our Minds

“By downsizing what is most dangerous (and most essential) about our education, namely, the deep civic function of the arts and humanities”, wrote Mark Slouka, “we’re well on the way to producing a nation of employees, not citizens.” For many of us, this may seem obvious: the arts are essential in the development of vibrant, informed individuals, and free societies. For others, it will seem misguided. But why exactly does art contribute to a vibrant civic life? And why, these days, do there seem to be so many for whom that idea appears mistaken, and who are intent on reducing whatever funding and attention is still directed in the way of the arts?

The downsizing of the arts and the loss of their prominent role in public life is not a new phenomenon: it is precisely what Friedrich Schiller, German poet, philosopher, and playwright, set about answering in 1795 in his On the Aesthetic Education of Man. The book, first published as Weber die ästhetische Erziehung des Menschen, is written as a series of letters to a patron who is concerned with the role that beauty and art play in the functioning of society.

Schiller writes in his second letter of the relationship that art has to free individuals:

Schiller, Slouka and Kronman on Art in an Age of Science, and How Art Responds to the Necessities of Our Minds“Art has to leave the realm of reality, and with proper audacity elevate itself above simple need; for art is a daughter of freedom, responding not to the demands of matter, but to the necessity in our minds.

“To elevate itself above simple need” implies that art must do something for our inner lives, not just our outer ones; that it must speak to our need for self-actualisation, to use Maslow’s term from his hierarchy of needs. Art responds to the “necessity in our minds”, the kind of meaning and fulfilment that we require. And yet, Schiller writes, that was impossible in his time:

“For the present, need prevails, and bends a sunken humanity to its tyrannical yoke. Utility is the great idol of the age, to which all powers are in thrall and all talent must pay homage.”

Need and utility, the key terms of Schiller’s age—and our own, two hundred-odd years later. Mark Slouka quotes an article in the Times describing how our education system is failing “to produce the fluent writers required by the new economy.” “Might there be another reason”, Slouka wonders in response, “for seeking to develop fluent writers? Could clear writing have some relation to clear thinking…?” But that is a mere micro-example of the broader reality that GDP is the structuring metric of our societies, and utility is how everything is forced to serve the need of the economy—never mind that our minds, and our planet, have their own necessities. 

Schiller concluded of his age, and it is equally applicable to ours, that,

“On this crude scale the spiritual virtues of art have no weight and, bereft of all encouragement, it disappears from the tumultuous market of our century. The spirit of philosophical enquiry strips the power of imagination from one province after another; the borders of art shrink as science extends its bounds.”

The “tumultuous market of our century”, and the way that the “borders of art shrink as science extends its bounds.” Who would have thought our own time would be best diagnosed from two hundred years ago? Perhaps former dean of the Yale Law School Anthony Kronman had Schiller’s passage in mind when writing a chapter titled “Spirit in an Age of Science” in his new book Education’s End: How Our Colleges and Universities Have Given Up on the Meaning of Life. 

There, Kronman writes that “Science is today the greatest authority in our lives—greater than any political or religious ideal, any cultural tradition, any legal system. We depend on science and defer to it as we do to nothing else.” On the other hand, “We do not need the humanities for technology. They cannot satisfy our desire to understand with the same decisive clarity as the natural and social sciences. What, then, do we need them for? What can their purpose and value be?”

Kronman’s answer is Schiller’s answer is Slouka’s answer: we need art and the humanities, and we need to pay close attention to them, because they alone give spirit to our inner lives. Where science forces arational beings into rational boxes, leaving gaping holes, art instead fills the “necessity of our minds.” And what is more important?


 

I recommend reading through Mark Slouka’s Harper’s Magazine archive, and even more than that, reading his collection Essays from the Nick of Time.  His essay Dehumanized, from which I quoted above, can be found in both.

The edition of Schiller’s On the Aesthetic Education of Man that I’ve quoted from is the 2016 Penguin Classics edition translated by Keith Tribe.

Montaigne on the Education of Children

“The greatest and most important difficulty in human knowledge,” Montaigne says, “seems to lie in the branch of knowledge which deals with the upbringing and education of children.” That seems right; and yet it’s hard to argue that we’ve solved the difficulties.

The problems Montaigne diagnosed with education in his day, almost five hundred years ago, are really no different to the problems we still see today. He pleas for an education system that focusses on the individual, even going so far as to advise the person to whom his letter is addressed to not send her son to school, but to instead find a full-time private tutor. Our education focusses so much on the masses that it fails to give anyone a real education:

“If, as is our custom, the teachers undertake to regulate many minds of such different capacities and forms with the same lesson and a similar measure of guidance, it is no wonder if in a whole race of children they find barely two or three who reap any proper fruit from their teaching.” 

What is the ultimate point of our education? We debate that question keenly, but for Montaigne it was clear: “The gain from our study is to have become better and wiser by it.” By this he means understanding or a kind of judgement that informs thought and action. Memorisation is the enemy of understanding:

“It is the understanding… that sees and hears; it is the understanding that makes profit of everything, that arranges everything, that acts, dominates, and reigns; all other things are blind, deaf and soulless. Truly we make it servile and cowardly, by leaving it no freedom to anything by itself. Who ever asked his pupil what he thinks of rhetoric or grammar, or of such-and-such a saying of Cicero? They slap them into our memory with all their feathers on, like oracles in which the letters and syllables are the substance of the matter. To know by heart is not to know; it is to retain what we have given our memory to keep.”

Memorisation is unrelated to education, for an education properly understood must be about understanding and judgement. And yet our schools continue to teach to tests, and tests require almost nothing but memorisation. This recalls Seneca’s lament that “We learn not for life, but for the schoolroom.” Likewise, when studying history, our schools focus on the irrelevant parts that are easily taught, and not on the essence of how what we learn could inform our lives:

“But let my guide (the teacher) remember the object of his task, and let him not impress on his pupil so much the date of the destruction of carthage as the characters of Hannibal and Scipio, nor so much where Marcellus died as why his death there showed him unworthy of his duty. Let him be taught not so much the histories as how to judge them.

Montaigne makes what is today a most controversial argument, arguing that science should be left entirely aside until students have acquainted themselves thoroughly with the philosophy of how to live. The common logic today is that students should prepare themselves with technical skills first, and learn about life later; but Montaigne entirely reverses this:

“It is very silly to teach our children ‘What effect have Pisces and Leo, fierce and brave,/Or Capricorn, that bathes in the Hesperian wave,’ the knowledge of the stars and the movement of the eighth sphere before the knowledge of themselves and their own movements.”

It is an argument for the humanities: that our first task in education is to come to know ourselves, so that we can then devote ourselves to a vocation once we are sure on the direction we wish our life to take. The sciences are a luxury; if we don’t know how to live, there’s no point in thinking about them. Montaigne argues, again following Seneca, that the reason so many people leap straight to vocational training before having learned how to live is because they misunderstand philosophy. Philosophy has been confused with complex constructions of logic (and philosophers are mostly to blame for that), when its essence is how to live.

I think all too often we feel the problems Montaigne diagnoses—the rote learning, the mass production that education has become, the sense that we leap into a career before we truly know ourselves—but are inclined to put these down to modern education. His is an important reminder that formal education throughout the ages has changed but little, with students, teachers, parents and public figures all concerned about the same things, but with entirely no idea what to do about it on a system-wide level. If anything, Montaigne demands that we—as students or as parents—take responsibility for our own education and the education of those around us, limiting whatever harms are done, and guiding towards a lifelong ability to learn in order to understand.


The edition I’ve quoted from is The Complete Essays of Montaigne from Stanford University Press, translated by Donald Frame.

Can New Zealanders and Australians Afford To Study at a US University?

When I’m asked about how one goes about studying at a US university, or at least one modelled on the American higher education system, I’m usually first asked something along the lines of: is “college” the same thing as “university”, and what is a liberal arts degree? I decided to start writing up my responses to these questions I get asked all the time, and I answered that first general question in my article A Guide for Non-Americans: What is “college” and how does it differ from university?

The second question people ask is often not even phrased as a question. It goes something along the lines of, “Oh, there’s no way I could afford to study in the US. It’s too expensive, and I’m not that rich.” The question embedded in that is, how do you afford it? Did you get a scholarship, or are you simply very wealthy?

The answer, to both of the above questions, is no. Well, mostly no. I have received a scholarship to study at Yale-NUS and for my time at Yale, but there’s still no chance I could afford to study there if that was the only financial support I’d received. So here’s a guide to how it works, and you should, for the most part, find reason to be pleased: if you are committed to working incredibly hard for a few years to gain admission to a top US university, the finances will work themselves out. Really.

If one of the first things you’ve done is looked at the fees listed on US college and university websites, most of us would indeed have reason to close our browsers, run a mile from the computer, and never again consider studying in America. Yale, for instance, says that the base cost of attendance for one year for an undergraduate in 2016-17 is USD$68,230. I emphasise: United. States. Dollars. At current exchange rates, that’s NZD$98,000 and AUD$93,000. Of those fees, USD$50,000 is the tuition cost, and the remainder is for room, board, and other expenses. I’m taking Yale as my example, but the numbers are really very similar for most universities as an international student (we aren’t eligible for any subsidies).

But unfortunately for those of us from countries outside the United States, things get even more expensive. Roundtrip flights from Wellington, New Zealand to New York, for instance, come to roughly NZD$2,500, and you’d be looking at doing that flight twice a year. The reality is you’re unlikely to stay in your room on campus for the entire semester, so you’re going to need money to cover other living expenses, maybe a couple of thousand per semester. Exchange rate differences can come to be truly scary—some of my friends have seen their cost of attendance double or even triple in the course of a year depending on how the exchange rate swings.

To put it simply: the sticker price for a year of study at a US university is going to be over $100,000, whether in Australian or New Zealand dollars. For a degree, then (four years at US universities), it’s going to come to roughly half a million NZ/AU dollars.

Before I get onto the details of how that amount is very rarely what you would be paying, here’s one brutal reality: only the top universities have the financial resources to subsidise the cost of your education. The middle band of US universities—the ones which in all likelihood you haven’t heard of—will not provide financial assistance to international students. This means that unless you can afford the full price of the education as above, you need to gain admission to one of the top universities to have your education subsidised. The Ivy League.

And what of the Ivies, the other top small liberal arts colleges, and international universities like Yale-NUS College and New York University in Abu Dhabi and Shanghai? What do they do differently? The key term you want to know is financial aid.

Here’s a statement taken directly from Yale’s page on financial aid:

“Yale admits students without regard to their ability to pay and meets 100% of demonstrated financial need. For all students. Without loans.”

Financial Aid at US UniversitiesRestated, this means that if you are admitted, Yale will then look at your family’s financial situation and make an offer of financial support that will make it feasible for you to attend. It’s not about taking out a loan. It’s simply a subsidy on the total cost of attendance, and the subsidy can vary from a few thousand dollars to 100% of the cost. Yale also states that “Families whose total gross income is less than USD$65,000 (with typical assets) are not expected to make a contribution towards their child’s Yale education. Over 10% of Yale undergraduate families have an Expected Family Contribution of $0.” In 2015-16, the average financial aid award amount was USD$43,989; in other words, the average award cut fees by almost two thirds.

I’m taking Yale’s statements here as examples, but most other top universities offer almost identically-worded policies. The immense endowments of these universities make these generous financial aid policies possible, where other universities are simply unable to offer them.

It’s disappointing that many immensely talented young New Zealanders don’t bother applying to top international universities each year simply because they assume it will be too expensive. I’ve had friends and acquaintances who had dismissed the idea of international study from the start because their parents had told them not to even think about it, without knowing about financial aid.

The hard part is getting in. It is hard, but not impossible. If you have the brain and the work ethic, gaining admission should be your only focus; you should not let concern of finances stand in your way.

If you haven’t already, I do encourage you to read my post on liberal arts colleges in the US. US higher education is unique for its focus on the liberal arts, which offer students an opportunity to figure out what you should do, before then going on to learn how to do it for postgraduate study. That’s very, very different to what our universities in this part of the world offer, and it’s an idea that I think we should take far more seriously.


Some links to additional information and examples are below.

Harvard’s financial aid information

Yale-NUS College’s financial aid information

The University: An Owner’s Manualby Henry Rosovsky

NZ Media on the BA Degree: “Bachelor of Bugger All”

The BA’s reputation has been progressively eroded – no-one seems to know exactly how or why. It became seen as the degree for people who didn’t know what they wanted to do. The degree for layabouts seeking fewer teaching hours. The degree for lightweights without the smarts to do anything else.

And then came the jokes: “What did the arts graduate say to the science graduate? ‘Would you like fries with that?’

In a world of high university fees and high youth unemployment, the acid of negativity seems to be finally etching its mark.

In the face of falling enrolments, Otago University plans to cut about 16 staff in five arts departments. Victoria University is restructuring its language departments, with job losses, after student numbers fell up to 30 per cent in five years. Auckland University arts enrolments have dived 9 per cent since 2010. Nationwide, arts deans are desperately talking up their degrees and reshaping their structure to make graduates more employable.

It’s one of the first questions prospective BA students ask Liz Medford: Is it going to get me a job?

The Victoria University careers manager has been dishing out advice for 29 years. She’s surveyed 300-odd employers since 1996 and their demands have barely changed – verbal and written communication, analysis, problem-solving, teamwork.

“The skills of a BA are just as useful today as they’ve ever been.”

What has changed is higher fees and parents and students opting for the security of a degree that appears more marketable. But there has to be time for exploration, she says.

Stuff.co.nz, “The university debate – a place for passion or a ticket to a job?”, 17 December 2016

As I’ve previously written, vocational or professional degrees are about how to do things—how to be a lawyer, or a doctor, or a businessperson—whereas an arts degree is about what you should do. The BA is about having time and space to explore intellectually so that you can then make a properly informed decision about the vocation you wish to commit to—which can then be studied at the postgraduate level. It’s an expensive use of time, to be sure—but it has always seemed to me far more expensive to wake up one day towards the end of a vocational degree, or even later, only to have worked out that that’s not what you want to do for the rest of your life.

That’s why I’m such a proponent of the US higher education system, because the BA and BSc are structurally built in as the only option for an undergraduate degree. It’s a real shame that articles like this one—in addition to propagating nasty generalisations and stereotypes—fail to point out alternative systems, taking ours as universal.

A Guide for Non-Americans: What is “college” and how does it differ from university?

An introduction to American higher education and the liberal arts for New Zealanders and Australians considering tertiary study in the US

Applying as a New Zealander to study for university in the United States was a daunting process. There were so many things I’d never heard of: the SATs, the Common App, “safety schools”, “reach schools”, financial aid, liberal arts, to name just a few. But I think what made the process most daunting right from the start—and what made it difficult to find the right information—was that I didn’t understand the fundamental terms to describe the university itself in the American system.

Americans do not go to university for undergraduate study. They go to “college”. In New Zealand everyone talks about going to “uni” straight out of high school, and we’ll be choosing between doing law, medicine, commerce, engineering, architecture, and other vocational degrees. But when you go to American universities’ websites to look at studying those things, you’ll soon see that all of them require a “college” degree as a prerequisite. And no, that doesn’t mean a high school diploma, despite us in NZ using “college” to refer to high school. This can all be overwhelming and can make little sense for those of us in countries that follow a roughly “British” model of education, and it’s something I get asked about often. So here’s a brief guide.

The first thing to know is that in the American system of higher education (that’s what we call “tertiary” education), you can only complete a Bachelor of Arts or a Bachelor of Science for your undergraduate degree. That’s right—no BCom, MB ChB, LLB, BAS, BE etc. In the United States, your undergraduate degree will only be a BA or a BSc, with honours, and it will take you four years to complete. (There are some exceptions to this rule, but they are in a very small minority). The “honours” part is usually not optional, as it is in Australia or New Zealand—if you get into the college, you’re going to do the honours part of the degree. This is why you’ll often hear many top schools in the United States called “honours colleges”, because simply by being admitted, every student is doing an honours program—it’s not something you apply for in your third year of study depending on how well you’ve done so far, as it is in New Zealand and Australia.

The term “college” itself comes from the fact that traditionally, higher education in America was conducted at liberal arts colleges. There were no universities. Yale was Yale College, not Yale University. Harvard was likewise Harvard College. These were usually small institutions at which students spent four years (as they do today) and completed a BA(Hons) (as they do today), and what made them truly unique was that all students lived on campus accommodation for all four years of their education (as they do today). Very often, professors lived and dined with students as well (as they often still do today!) So “college” is a physical place where you live and study for four years while completing your undergraduate education.

Universities later grew up around the colleges and began to offer professional or vocational degrees, which in the American system can only be studied at the postgraduate level. Yale University today, for instance, is now comprised of fourteen “schools”—one of which is Yale College, the only part of Yale to offer an undergraduate education. The other thirteen schools all offer postgraduate degrees, and twelve of them offer professional/vocational degrees—law, medicine, architecture, business, and so on. And yes, you first need an undergraduate “college” degree (or an equivalent undergraduate degree from another country) to gain admission into one of the “schools”.

So “colleges” are now often small parts of overall universities in the United States, but they remain an important centre for the whole institution. Sometimes, the original colleges declined to set up larger universities around the small college—these are now usually referred to as “small liberal arts colleges”, where the whole institution still only offers a BA or a BSc with Honours. Examples are Pomona College, Swarthmore College, Amherst, Williams, Wellesley, Haverford, Middlebury, Carleton, to name some of the better known ones.

One other thing to note is that because you live on campus in the American college, you will be placed in a specific residential college for your four years of study. While studying at Yale College, for example (itself one of the fourteen schools of Yale University), I was placed into Branford College, one of the fourteen constituent residential colleges that make up Yale College. Each of the fourteen colleges is its own residential community with student rooms, a dining hall, a courtyard, and other facilities. (Fourteen is not a significant number; it’s merely random that that is the number of schools and colleges at Yale.) Each residential college will have a “Rector” or a “Head”, who is responsible for your residential life, as well as numerous other staff. Residential colleges truly are like smaller families or communities within the larger college, which itself is a smaller part of the overall university. (That’s a lot of uses of the word “college”—I hope it’s all clear!)

In New Zealand and Australia, as well as many other countries, we have a certain disdain for “arts degrees”. The implication is that students who do an arts degree either weren’t smart enough to get into a program like law or medicine, or simply wanted an easy time at university. I got a great deal of flack from friends and friends’ parents when I was applying to US universities when they heard I would be doing an arts degree—they assumed I was giving up and wanted to party at university, as is often the stereotype here in New Zealand. But in the United States, this couldn’t be further from the reality, since all undergraduate programs are what we call “arts degrees”. The American model of higher education is entirely built around the arts degree, and it is virtually impossible to study anything other than an arts degree for your undergraduate education. Even doing a BSc for your undergraduate years will require you to have taken many courses in the humanities and social sciences—the BSc is essentially an indication that you majored in a science subject at college, and intend to pursue some kind of science-related study for your postgraduate degree.

This emphasis on the arts in the American system, and the impossibility of doing any professional or vocational study for undergraduate education, gets to the heart of what makes higher education in the US truly unique. It all comes down to “liberal education”, or the “liberal arts degree”. The term is widely misunderstood, even in the United States, and yet it’s critical to understanding US colleges and to determining whether study in the US might be for you.

Here’s how I explain liberal education: whereas university study in Australia and New Zealand is concerned with learning how to do things—how to be a lawyer, or a doctor, or a businessperson, and so on—undergraduate college education in the United States is intended to be about learning what you should do. 

Let’s delve into this a bit more. Undergraduate liberal arts colleges in the US—and those based on the US model, like Yale-NUS College in Singapore, where I study—often sell themselves based on the breadth of education you’ll receive. The idea is that whereas in Australia or NZ we immediately do highly specialised professional degrees and learn little outside that subject area, in the US undergraduate education is about broadening one’s mind, trying a whole range of subjects, and essentially having four years to explore intellectually before committing to a “vocation” which you will study at the postgraduate level. You’ll choose a “major”, which is the area you think you’re most interested in, but often there is a “common curriculum” or “distribution requirements” that forces you to take a range of subjects and classes outside that area. At Yale-NUS, for instance, one’s major (mine is Philosophy, Politics and Economics, for instance) is only 30% of all the courses that you take during the four years.

Breadth is an important characteristic of the liberal arts, but it is not the defining characteristic. What breadth achieves—and the reason all liberal arts colleges offer it—is that the point of your undergraduate education is to figure out what you want in life. Liberal education is about having four years to learn not about how to do things, though that may indeed be a part of your education, but instead to explore so that you can work out what you should want to do. Instead of asking during your undergraduate years, “How do I be a doctor, or a lawyer, or a journalist?”, liberal education is about asking “Should I want to be a doctor? Or should I be a writer instead?” It’s about using classes, and professors, and books, and mealtimes every day in the dining hall with friends and teachers, to learn about yourself for four years before committing to a profession or a vocation. With those four years of exploration, you should then be much more confident in the decisions you make about what to do with the rest of your life. And, of course, you then specialise to become a lawyer or a doctor during your postgraduate study.

Another way of explaining it is that university in Australia or New Zealand trains you to be a specialist in a certain subject area in which you’ll work for life; college in the US educates you on what it means to be human, so you’re more sure of what you should later train to be.

There are, of course, advantages and disadvantages to each system. In the US you’re more likely to become a well-rounded human being with wide-ranging knowledge and interests, and you’re more likely to be confident and sure of what vocation you choose to commit to by the time you think about postgraduate education and beyond. The downside is that you spend an extra four years doing this, whereas in Australia and New Zealand (as well as South Africa, India, and really anywhere that has developed its education system from the British model) you would spend that time specialising and then beginning your career earlier. You can therefore find yourself further behind in a career than those who had studied the vocation for their undergraduate study. A college education, then, is a luxury; not everyone can afford it, and we should remember that this kind of choice in education is a huge privilege.

Which system better suits you is therefore an individual choice, though I personally am a strong proponent of taking the extra time to learn about ourselves and the rest of our lives that comes from the American system. I think it encourages people to discover what truly matters to them—what kind of interests and work you’re willing to devote your life to. Without being very sure of the decision you make in the Australian and New Zealand education systems, you might find yourself waking up in your mid-twenties realising that the degree you’ve spent five or more years training for is in fact not what you want to do with the rest of your life. That’s a costly and disappointing realisation to have. Studying at an American college, by contrast, will give you a foundational understanding of yourself—will have (if it lives up to its ideal) helped you answer the questions of what you should do with your life, rather than how to do it—that will help you be a good person, whatever you later go on to do. Of course, you can have this kind of education for yourself in an Australian or New Zealand university by structuring your own education: you can do a BA(Hons) as you would in the United States. This is a great option, but you will need a degree of self-motivation and determination that you might not need at college in the US; here, you’ll face the stigma attached to “arts degrees” and won’t have the encouragement to explore intellectually that you would at a US college.

I’ll leave it there, and further note only that the picture I’ve painted of US colleges is a kind of ideal type. The degree to which colleges live up to that ideal will depend on the institution, and even down to the classes you take and professors you get—but nonetheless the fundamentals stand. That’s a brief primer on colleges vs universities, and what truly makes the American “liberal arts college” unique. Feel free to leave a comment or contact me if you have other questions, and I can always delve into specifics on other college-related questions in another blog post.

To end, here’s some additional reading I strongly recommend to anyone who is interested in the US higher education system and the difference between education and training:

Why Teach?, by Mark Edmundson

The Voice of Liberal Learning, by Michael Oakeshott

College: What it Was, Is and Should Be, by Andrew Delbanco

In Defense of a Liberal Education, by Fareed Zakaria