An article in Wellington’s Dominion Post today describes how an “unpredictable labour market makes arts degree more relevant.” The gist of the article, by Richard Shaw, a professor and director of Massey University’s BA program, is that the workplace of the future will require more arts degree graduates. As the speed of technological change increases, technical jobs are becoming computerised, and entirely new jobs are being created. The workforce therefore needs graduates with “the capacities to think critically, communicate clearly, and cope with cultural diversity”, those skills that an arts degree teaches.
The argument is the one that arts and humanities programs the world over have been using over the past decade as the call for technical specialisation has seen graduation numbers decline. Arts programs have found themselves needing to justify their existence on the same terms as technical programs, which speak from ideas of productivity, employability, and ‘usefulness’. Specialised university degrees boast of higher employment rates of graduates, higher salaries, and moreover make the assertion that they are more practically useful to economies and societies. But by attempting to counter those claims, arts programs have merely subordinated the arts and humanities to the values of science and technology—values that the arts and humanities always stood as a counterbalance to.
I should say up front that I entirely agree all these arguments that defend the arts and humanities on terms of employability and usefulness. Arts degrees are the best foundation for anyone entering a world in which the meaning of work and technical skill changes annually. But while agreeing with the argument, I also think it is counterproductive; that by subordinating arts degrees to the terms of value set out by technical programs, we lose the essential values—and, yes, usefulness—of the arts and humanities. Simultaneously, we make it less likely that those students who study the arts and humanities will actually receive that kind of education; they will seek in it instead the kind of practical usefulness of technical programs, and look past what the arts and humanities truly offer.
Shaw fell into the trap when he says in his second paragraph, “Let’s put aside, for the purposes of this argument, all of those socially desirable things that a BA can impart: knowledge of self and curiosity regarding the world, the capacity to listen as well as to mount a cogent argument, and the ability to ask awkward questions of those in positions of power.” If we set those aside, we set aside the essence of an arts education. We set those aside, and then the only argument left is an attempt at saying, no, arts degrees are better for your job prospects. And if I were a prospective arts student struggling to justify that path against those who told me to be practical, to be realistic and think about a job, I’m not sure I’d listen to Shaw on blind faith that employers would leap at the chance of having me after graduation. And even if I did trust that, I would then be taking an arts degree for practical, prudential reasons—looking daily during my time at university for chances to improve a CV, taking classes and reading books for how they might put me ahead of others in the hunt for jobs. In doing that, I’d then have missed what an arts degree can offer that nothing else can—precisely those qualities that Shaw lists and then dismisses.
The real challenge for proponents of the arts and humanities—what a different tradition calls ‘liberal’ education—is to define its value on its own terms, and to resist the easy option of merely throwing statistics back at technical programs. Doing that makes for a neat op-ed, but does not help with the harder task of persuading students and society of the essential value of liberal education on its own terms.
In the United States this debate over arts degrees and technical training is much further developed, likely because the BA degree is the norm for American undergraduates. In the US, and in a range of other countries following the US system (including at my university, Yale-NUS College in Singapore), undergraduates complete a four-year BA degree, and then follow it by specialised training in postgraduate study. There, the debate is not so much on whether students should undertake BA degrees or other degrees, but rather what a BA should encompass—whether students should major in humanities subjects, or the sciences and social sciences for employability, within their BA.
As a result, most US colleges and universities take a broad approach to encourage students to study arts degrees, or the “liberal arts” as it is known. There is a focus on the intangible but very real benefits of a liberal education, captured in a slogan like “Four years to transform your life”, through to the same kinds of statistics advanced by Shaw in the New Zealand context. At the very least there is the recognition that the arts and humanities bring value of a different kind to the focus on statistics and productivity of other disciplines—and that those values are ones students should feel proud, rather than worried and concerned, to pursue.
Judging from this debate over the usefulness of liberal education in other countries, ours in New Zealand is just getting started. We should ensure that arguments made in favour of the arts and humanities demonstrate and advance the values that those disciplines bring, and not append them as garnish to the values of specialist university degrees.