Alberto Manguel Packs His Library

Alberto Manguel Packing My Library book review

Packing My Library: An Elegy and Ten Digressions, by Alberto Manguel. Yale University Press, 2018.

Having packed and unpacked many nascent libraries over the past decade, this was a book I needed. Manguel grew up in Israel to Argentine diplomat parents; after schooling back in Buenos Aires he set off for Europe at 21. Since then he has lived in France, Canada, Tahiti, New York and Buenos Aires again, where since 2016 he has been director of the National Library. My own diplomatic upbringing meant Manguel’s peripatetic perspective spoke to me, and his latest book offered the promise of (finally) a way to think about the paradox of diplomatic and educational itinerancy combined with the desire for the permanence and solidity of physical books.

Recently, in Oxford, I have been surrounded by all the books of one of the world’s great libraries, and yet I’ve felt oddly cut off from them. My own books, the ones I’ve annotated and dog-eared and which have followed me from place to place, are packed in boxes and kept in storage just as Manguel’s books are. Here I go each day to the libraries but request books in advance and say goodbye to them each evening; I have none of the serendipitous reading that I had back home. Of course, this is partly grass is greener syndrome, for at home I was frustrated that no library in New Zealand had some of the books I was wanting to read.

Manguel is a guide through many of these thoughts, the odd and sometimes embarrassing feelings of wanting to possess leaves of paper between two covers. This slim book is purportedly about Manguel’s experience of packing his 35,000-volume library in a small French town when for bureaucratic reasons (he never explains more) he and his partner moved to New York City. Riffing on Walter Benjamin’s famous Unpacking My Library essay in at least one chapter, the book soon becomes a musing on the role of public libraries. I wanted more of the Packing My Library and a bit less of Manguel’s role at a public library; he is at his literary best when writing about the personal role of books, rather than the institutional or societal.

On first reading I didn’t read the book the way Manguel wanted it to be read. Each of the ten “chapters” (each just a few pages long) is followed by a “digression” picking up on one of the ideas of the previous chapter. It felt as though Manguel had written the key storyline and then interspersed the digressions later, and so I began skipping the digressions to read the primary essays. I then went back to the digressions afterwards.

Some of the best chapters I had already read: what felt to me like the essay upon which the whole book rests, for instance, Manguel had published in 2008 in a New York Times Home & Garden essay. The book’s opening pages come from this essay, albeit with a slight modification. Where in 2008 Manguel, living happily in France with his library in the old barn, had written “I knew that once the books found their place, I would find mine”, here in 2018, after packing his library, he adds “I was to be proved wrong.”

I found it curious to trace the editorial changes between that 2008 essay and the chapter in this book. Again, from 2008:

The library of my adolescence — a time when the simultaneous discoveries of sex and the injustice of the world called for words to name the frightening stirrings in my body and in my head — contained almost every book that still matters to me today; of the thousands that have been added since, few are essential.

Come 2018, whether for editorial reasons or some kind of embarrassment, Manguel has adjusted this simply to “After this came the library of my adolescence, which, built throughout my high school years, contained almost every book that still matters to me today.” What happened to the discoveries of sex and the injustice of the world in the interim?

Some of Manguel’s most vivid and even heart-wrenching writing seems to sneak up, mid-paragraph, with no warning. These make whole the idea of the book as an elegy for a lost library, and for time passed. Standing at a street-side second hand bookseller’s stall in New York reading the same volume of a book now in storage, Manguel muses that “the fingers that now turn the pages as I stand on the sidewalk among the passerby execute the same gesture they made long ago, on a morning when they were not stiff and speckled and gnarled. But now the gesture has become part of a conscious ritual, enacted every time I come across the same book with the same remembered cover…”

In later sections Manguel thinks about the societal implications of public libraries, and on the habits of mind brought about by the internet. “Negative freedom (answering the question “What is allowed to me?”), Manguel suggests, “might correspond to the Alexandrian kings’ ambition to collect everything, reflected today in the vast scope of the Web, collecting facts, opinions, information and misinformation, and even deliberate lies “because everything should be allowed to me.” Better, Manguel suggests, to think of Rawls’ notion of “freedom’s worth”—and it is allowing citizens to act according to that notion that is the central function of a national library.

While critically important, these latter sections didn’t feel like Manguel at his best. They read like Yeats’ “sixty year old smiling public man” saying what he knows he needs to say, rather than what he wants to say and most deeply feels. I finished the book without the answer to my confusions over the strength of my desire for physical books—but, Manguel would say, that was inevitable. “Reading Kafka”, he writes “I sense that the elicited questions are always just beyond my understanding. They promise an answer but not now, perhaps next time, next page.”